“By Starlight” printing complete

I finished the batch of boatmen! They are already at Mokuhankan in Tokyo, also available online here: https://mokuhankan.com/catalogue/KP02.php.

Here are my printing notes.

  1. Maimeri Blu Primary yellow: boat, lamp and sky bokashi. Block 1.
  2. 3-way bokashi on the water (live dangerously!): Primary yellow, Holbein Opera, Holbein Prussian Blue. Used a big shoe brush. Sheds like a dog, but it’s a good way to get a big brush on the cheap. Block 2.
  3. Holbein Opera bokashi on the sky, rim of the boat. Block 1.
  4. Grumbacher Academy Payne’s Gray, round bokashi on water. Block 3. This one has the water sparkles cut out. Used the big shoe brush again; brush marks visible on most copies.
  5. Grumbacher Payne’s gray: sky bokashi. Block 4. This one has the clouds cut out.
  6. Grumbacher Payne’s gray on Block 5, which has the boat interior, the shade of the boat, the man, and the hills and their reflection.
  7. Windsor Newton Indanthrene Blue: Block 3 (water sparkles)
  8. Indanthrene bokashi on Block 4 (sky)
  9. GB Payne’s Gray, round bokashi on water. Block 3 (water sparkles). This time I used two brushes rather than the big shoe brush, to try to smooth out the brush marks.
  10. GB Payne’s Gray on Block 6. This one has the darkest shadows on the water, the shaded side of the boat with its gear and pilot, and the above-water parts of the hills. I omitted the hills.
  11. GB Payne’s Gray roundish bokashi on the sky, block 4. Small hill was omitted.
  12. GB Payne’s Gray bokashi on the small hill, block 4.
  13. GB Payne’s Gray bokashi on the tall hills and their reflection (block 5)
  14. GB Payne’s Gray again on block 6, darker in the corner (omitted hills).

I am hereby appointed the ambassador for Grumbacher Academy Payne’s Gray 🙂

I took only a couple of process shots. The first is after impression 3, and the second is after impression 4.

If I were to carve these blocks again, I would try to think of a way to avoid the hard line at the horizon. It’s not just a matter of merging blocks 1 and 2, because the strong yellow on the rim of the boat and the lamp and its reflection need to be independent of the water blocks. But probably dividing responsibilities among the blocks differently could yield a more harmonious horizon.

Fireflies have flown

The fireflies are done and are now winging their way to Tokyo. It was hard to part ways with them, but I hope they will find good homes. I ended up with 12 good prints on the good paper; here they are:

I have more prints on the machine-made paper, but I am not sure what I am going to do with them. I told @the_ungawa that I would post a comparison:

The nice, handmade paper from Iwano san is on the left, and the Shin Torinoko is on the right. The tone of the right-side paper itself is cooler, and this shows in the print. As impressions stacked up, it seemed like the machine-made paper was a little more reluctant to accept the pigment. (I did use a lot of paste, especially in early impressions, trying to achieve a smooth texture. Maybe I could have gotten away with less paste early on to keep the paper from “filling up.”) It’s actually pretty hard to tell with my less-than-stellar photography but the version on the left is warmer and more luminous.

The back side of the print is kind of interesting. Lots of lines are visible in the handmade paper below, but the impressions are much less visible on the Shin Torinoko.

It took me 2 weeks for this run. I wasn’t able to print every day because of work, travel and evening duties. 10 blocks, 12 impressions total:

  1. Cadmium yellow pale (Cotman) 2019-05-27
  2. Quinacridone gold (Turner) 2019-05-29
  3. Olive green (Windsor Newton) & phthalo yellow green (Grumbacher Academy), 3:1 – 2019-05-30
  4. Hooker’s green 2019-05-31
  5. Phthalo green and Payne’s gray, 1:2 – 2019-06-01
  6. Phthalo turquoise and Payne’s gray, 1:4 – 2019-06-02
  7. Phthalo turquoise and indanthrene blue, 1:1? – 2019-06-02
  8. Indanthrene blue 2019-06-03
  9. Indanthrene blue 2019-06-05 to darken impression #8
  10. Phthalo blue red shade 2019-06-06
  11. Phthalo blue red shade + Magenta + sumi 2019-06-09 to adjust color and darken impression 10
  12. Sumi (dilute) 2019-06-10 for the key block.