Here’s the paper I will use for the current print. I’ve got 25 pieces of Kitaro’s Kizuki, and 5 pieces of a few other kinds I had lying around that I will use for testing. Because this is a really small print, I picked a sheet of the Kizuki that was on the thin side. It’s a completely handmade product, and there’s actually noticeable variation in the thickness.
I’m applying a small dot of clear nail polish to one corner – the corner that will be inserted into the corner kento (registration notch) – of each piece of paper. This is a trick I learned from the printers at Mokuhankan. For a simple print with only one or two impressions it wouldn’t be that important, but reinforcing this corner prevents it from wearing and changing shape with repeated impressions. That way it’s possible to get precise registration every time.
Here’s how the paper is placed when printing. I’m demonstrating with a block for a different print. First the corner is inserted into the corner notch on the right, then it’s placed against the little ledge on the bottom left, then laid flat on the block. It’s not necessary to reinforce the edge on the bottom left, but the corner can easily wear if it’s not strengthened!
Vivid Laboratories 