Some time ago, before the plague times, I ordered and received some very nice washi from a papermaker in Echizen. It’s really lovely, smooth, good weight, 100% kozo, and ALREADY SIZED! I am looking forward to EMS shipping starting up from Japan again so I can order some more. What I received was a very high quality product, clean and uniform in texture and sizing.
My coworker, Corax the black cat, really enjoyed playing in the box. He’d get in, and scratch scratch tap tap. Hours of entertainment. I finally got around to flattening the box and putting it in recycling. But wait — what’s that? There was something taped to the bottom with that typical Japanese brown fabric-reinforced tape, wrapped in brown paper the same color as the surrounding cardboard. I’m glad I noticed! It was a sample book.
This is a pretty fancy sample book.
The paper on the cover has some really interesting iridescent patterning, and when you let light shine through it, it looks like the fibers that provide the pattern are denser than the rest.
At the end of the booklet was another price list (same prices), on a paper that has another interesting pattern of iridescence. And that’s the back of the booklet, with their contact info.
I’m looking forward to getting some more of this paper!
Here they are! This makes it look like there are a lot of them. I guess there are; there are more than can be seen in one of these views 😉
I made 19 on Echizen Kozo, three on practice paper, and 3 on the Kizuki Hosho I recently got from Kitaro paper. The Kitaro paper is a little more off-white; one of the sheets is the lower-right-most in the right-side image below.
After drying a little in open air, they will be pressed between mat boards to finish drying flat. Then I will take a serious look. I’m hopeful that once they are dry the Echizen Kozo will be a little tougher than when it was damp.
That’s actually the title of the heron print, not any mood I’m in from doing another round of prints! Poor heron, he would love a nice steak, but only has fish at hand. Too bad he wasn’t at the 4th of July gathering I attended recently!
So yes, I am now printing “Frustration” on A4 washi for the Awagami International Miniature Print Exhibition (http://miniprint.awagami.jp/index.html). I’ve thrown a variety of papers into this run, in addition to the Echizen Kozo I hope to submit on, some of them from the sample pack that the Awagami Factory sent to the first applicants to the show. Hakuho Select: This paper is super thick, and even with strong pressure still I can’t overcome the texture on the smooth side to get an even impression. Maybe if I was printing with a steamroller… Bamboo Select: Wow, every impression has resulted in a smooth color distribution. The fiber content is really non-traditional, though. Kozo Natural Select and Kozo Extra Thick Natural: It’s not clear whether these papers are sized. The info sheet in the sample pack lists sizing as 0, but they don’t really behave as unsized papers. They are really thin, and printing on the Kozo Natural Select is like printing on tissue paper! But it may actually yield a real print.
The other papers I’m using are my go-to Shin Torinoko machine made paper from McClain’s, and the aforementioned Echizen Kozo. The Echizen Kozo is a fluffy, luminous paper with a large capacity for pigment. Check out the nice embossing of the current state of the new heron print:
As you might recall, I carved the blocks for this print without registration marks, and used an outside kento. This time, because there is such a huge margin between the printed surface and paper edge, I’ve had to get creative with the registration jig:
One final update … I splurged and got a real baren!