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What did I do in 2022? I finally finished Forest Rays! At least I think I am done. The prints are still in the drying boards and will need a careful look-over before I add them to the store, but here’s a preview. I think I captured the feeling I was looking for – humid forest, light streaming through the branches, leaves caught in sunlight glowing brightly.
7 pieces of wood (6 self-made cherry ply and 1 shina ply from McClain’s), 19 printable areas including the key block, 25 impressions. (I had prepared separate key lines for the trees and foliage in the distance, but decided not to use them – that would have made 26 impressions!)
The paper is Shin Hosho from Woodlike Matsumura. When I started printing, I thought “Excellent, this paper is really tough, and I’ll need it for this print!” but by the end it was quite soft and barely hanging on. I had thrown in a few sheets of Student Kozo as warm-up sheets, but I gave up on them about 18 impressions in because they were fouling the blocks with fibers that kept coming off.
I’m looking forward to the next print! It will be a simple one, and I’ll aim to finish within a month – fingers crossed. Back to the carving bench!
I’ve been busy, making progress on Forest Rays. Here is an animation showing the first 15 impressions.
It’s remarkably hard to do a good job at an animation like this. I tried to set the light up the same for each shot, but I was printing at different times of the day so there were some hard-to-avoid differences that are not solved by a simple white-balance. Also, to make them all the same size I had to stretch and shrink parts of each image to fit the same frame; some frames are stretched in places that others aren’t.
There are another 8 or so impressions to go, at minimum – better get back into the studio!
I’ve had a really productive day doing print-related things! I moistened the paper that I will use for Forest Rays.
I decided to remove part of one of the columns of shadow, since it didn’t really look right overlapping the foliage at the top. I also decided to carve the other side of the shina ply I used for the newest block, to add deepness to that upper foliage while preserving some highlights. So, I made two new transfer sheets.
In the middle above is the current state of my test print inside a plastic bag, with the key lines added. The part of the shadow column I want to remove is about 1/3 of the way from the right edge – the part that crosses the lighter green at the top. Before pasting down the transfer to the shadow block (above right), I lightly cut the gampi with a knife so it would pull away from the backing sheet, then put glue only on that area, and pasted it down. You can see the place it formerly occupied in the transfer sheet remnants on the lower right. On far left is the second transfer sheet marked up for shading the foliage, and (why not, while I am at it!) shadows for the rocks.
Instead of starting in on the new carving, I printed the first impression of Forest Rays. I can carve later, when I have a few minutes, but printing takes a chunk of time, and today I had the time.
I’m printing on some Shin Hosho I got from Woodlike Matsumura a few years back. It’s pretty tough paper! I’m able to rub it without a sheet of baking parchment to protect it. One drawback is the kind of “chiri” in the paper. All handmade kozo paper has bits of junk – bark, dirt, etc. – included in it. This one has tiny rocks! I picked out 4 little rocks (OK, they are sand grains, but large ones) in these 23 pieces of washi before starting the print run. This is important so as not to damage the blocks or the baren. Other than that, I like this paper a lot. It is tough and dimensionally stable. It needs a lot of pressure for a smooth impression, but using that, it is possible to print quite smoothly.
So, I’ve officially started printing Forest Rays! No telling how long it will take; the test print has 27 or so impressions so far and that is not all of them. Also, JLPT (Japanese Language Proficiency Test) is next week and I really need to study!
Now that Floating (to the left!) is done, it’s time to get back to what I was working on before. My idea was for a path through trees, dappled with light, with sunbeams filtering through the leaves. I wasn’t sure how to accomplish the sunbeams, so in a sense, the work on Floating let me test out an idea. I think it turned out as I expected, so It’s given me the courage to move ahead!
I haven’t posted this snapshot yet because it’s really sloppy, but this is about as far as I got with test printing. Mainly the aim was to test out some colors to see what works. I will probably make some more test prints; I think the bluish green is too blue, and I have since removed the hard line between the ground and the background foliage from the key block, hoping to make that a mistier transition.
It seems like a pretty complicated project so far. Here’s the stack of blocks; one is empty on the back so that’s 9 faces, and I think the test prints have about 15 impressions looking back on my notes.
I’ll give a sense of sunbeams by overlaying shadows that intersect and darken.
Originally, I thought the shadow blocks would be really straighforward, without much detail, and had planned to carve them on shina plywood. However, after making the transfer sheets and seeing the size and shape of some of the areas that need to be preserved, it’s pretty obvious they need to go on cherry. So, today I will make one more block! Because that one little bit of shadow on the upper left goes all the way to the top, neither one will fit on the blank face I’ve got — it’s a tiny bit too short.
We don’t get snow in Austin very often. Today there was rain predicted, with a chance of frozen precipitation later in the day. It started snowing midmorning! I took a picture a little later.
In all we got a couple of inches, very slushy. Nice day to stay inside carving!
I also did some thinking about how many blocks I will need. At this point it seems like 10 + the key block.