Color block carving underway

The light gray for the rocks and road is now outlined and somewhat cleared. I am trying to make good use of the whole block, so the big space at the top will also get used. That is why I have the two corner registration slots that you see on the right.

The key lines for the trees and foliage in the background will go into this spot.

By placing the transfer sheet in the second, upper corner kento (circled), I can have those lines far enough away from the light gray color block region to avoid interference while printing.

All clear

I’m now ready for the first test-printing of the key block for what I am calling “forest rays.”

This block took some time to carve! Carving is not my full-time job, and indeed I don’t think I spent more than 3 or 4 hours a day working on this block (and usually only an hour or so). I started on January 2, and now am (mostly!) done 3 weeks later. I say “mostly” because test printing will no doubt reveal that some adjustments are in order! Either I forgot to clear a spot, or there is a splinter sticking up, or I need to deepen some of the valleys because they are shallow enough to to let the paper touch, which would risk getting pigment in unwanted areas.

I included the “dramatic lighting” shot on the right to try to further illustrate how deep I’ve carved. The general rule is, the bigger the area of clear space, the deeper the valley needs to be. Paper won’t sag very deeply when the adjacent lines are close together.

Snow day

We don’t get snow in Austin very often. Today there was rain predicted, with a chance of frozen precipitation later in the day. It started snowing midmorning! I took a picture a little later.

In all we got a couple of inches, very slushy. Nice day to stay inside carving!

I also did some thinking about how many blocks I will need. At this point it seems like 10 + the key block.