How will colors combine on the paper? How can I achieve that particular shade I am looking for? Doing little experiments like this, on a sample of the paper I plan to use, is one way to find out.
When I started working on the rockpile project, I wasn’t sure where the color would go, what blocks I would need, and so on. I drew and carved the key block, then thought about where the lightest colors would go and carved some color blocks for those, using transfer sheets printed from the key block to locate their edges. I started test-printing in earnest earlier this month, when I had blocks for light grayish, light bluish, green and reddish. First I tested some of the colors I though would be good to use, to see how they overlap and combine to make other hues. I kept notes and spots of color to document the saturation of the pigment I used to print.
After the initial testing, the results of which I showed in the last post, I decided to add some darker shading in some areas. Here are my transfer sheets:
Notice there is a thinner paper of the gampi type laminated on a thicker backing sheet. The lines were printed from the key block, then I marked and colored in the areas of the new blocks that are to remain. The blue is for water and sky shading; the yellow is to darken some areas of the rock, and the pink is for some even darker shadows on the rocks.
These transfer sheets get pasted UPSIDE DOWN on the new blocks using the same registration marks I’ll later use for printing, the thicker backing paper gets peeled off, and often part of the gampi gets peeled off along with it, leaving the face of the gampi with the lines and colors against the wood and visible through what’s left of the gampi. If it is still too thick, I can moisten it a little on one edge, and peel off another layer.
This block is one I’ve already test-printed from, but shows what the transferred gampi looks like after it’s pasted down and the excess is peeled off. It’s super-easy to see what to carve!
Here are my newest blocks after some test printing, and the two surviving test prints with their new shading.
I think it is starting to come together! I think I need a little more color on the trees on top of the hill, and more definition of the cliff face. I’ll see what I can do with my current blocks (there are 7!), but I might need to do more carving.
The fireflies are done and are now winging their way to Tokyo. It was hard to part ways with them, but I hope they will find good homes. I ended up with 12 good prints on the good paper; here they are:
I have more prints on the machine-made paper, but I am not sure what I am going to do with them. I told @the_ungawa that I would post a comparison:
The nice, handmade paper from Iwano san is on the left, and the Shin Torinoko is on the right. The tone of the right-side paper itself is cooler, and this shows in the print. As impressions stacked up, it seemed like the machine-made paper was a little more reluctant to accept the pigment. (I did use a lot of paste, especially in early impressions, trying to achieve a smooth texture. Maybe I could have gotten away with less paste early on to keep the paper from “filling up.”) It’s actually pretty hard to tell with my less-than-stellar photography but the version on the left is warmer and more luminous.
The back side of the print is kind of interesting. Lots of lines are visible in the handmade paper below, but the impressions are much less visible on the Shin Torinoko.
It took me 2 weeks for this run. I wasn’t able to print every day because of work, travel and evening duties. 10 blocks, 12 impressions total:
- Cadmium yellow pale (Cotman) 2019-05-27
- Quinacridone gold (Turner) 2019-05-29
- Olive green (Windsor Newton) & phthalo yellow green (Grumbacher Academy), 3:1 – 2019-05-30
- Hooker’s green 2019-05-31
- Phthalo green and Payne’s gray, 1:2 – 2019-06-01
- Phthalo turquoise and Payne’s gray, 1:4 – 2019-06-02
- Phthalo turquoise and indanthrene blue, 1:1? – 2019-06-02
- Indanthrene blue 2019-06-03
- Indanthrene blue 2019-06-05 to darken impression #8
- Phthalo blue red shade 2019-06-06
- Phthalo blue red shade + Magenta + sumi 2019-06-09 to adjust color and darken impression 10
- Sumi (dilute) 2019-06-10 for the key block.