I’m now ready for the first test-printing of the key block for what I am calling “forest rays.”


This block took some time to carve! Carving is not my full-time job, and indeed I don’t think I spent more than 3 or 4 hours a day working on this block (and usually only an hour or so). I started on January 2, and now am (mostly!) done 3 weeks later. I say “mostly” because test printing will no doubt reveal that some adjustments are in order! Either I forgot to clear a spot, or there is a splinter sticking up, or I need to deepen some of the valleys because they are shallow enough to to let the paper touch, which would risk getting pigment in unwanted areas.
I included the “dramatic lighting” shot on the right to try to further illustrate how deep I’ve carved. The general rule is, the bigger the area of clear space, the deeper the valley needs to be. Paper won’t sag very deeply when the adjacent lines are close together.
Remarkable!
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i just realized or perhaps it’s a test to see if i am really paying attention, that the are 2 works of are here on display.
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Thanks Kim! These are both shots of the same block, but from different angles and with different lighting.
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This looks wonderful Karen. I am wondering how you will be able to span that large area of the path without getting unwanted ink on the paper? please keep us posted what you find out.
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Thanks Teri! Yeah, I don’t know how it well it will work, but I will find out today I hope!
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